For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.
For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.
For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.
Register here to receive Zoom links for Novel Conversations discussions.
Novel Conversations is a book group that alternates between classic novels and more recent works of fiction and nonfiction. Participants are welcome to come to all the meetings or just those that sound interesting. Multiple copies of each book are available for checkout in the library and are, whenever possible, made available in large print, audiobook, and ebook editions.
Novel Conversations meets the third Thursday of each month from 7:00-8:00 pm on Zoom.
Thursday, January 21 : Song of Solomon by Toni Morrison
Milkman embarks on a physical and spiritual journey, with the help of his aunt and best friend, helping him to reconnect with his past and find his self-worth. Based on an African-American folktale about slaves who escape by flying back to Africa, Song of Solomon won the Nobel Prize for Literature in 1993.
For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.
For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.
For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.
For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.
