Feb
26
Wed
UI Dance presents Dancers in Company 2020 Home Concert @ Space Place Theater
Feb 26 @ 8:00 pm

Presented by the University of Iowa Department of Dance

Dancers in Company 2020 Home Concert

February 26, 27, 28, 29 at 8:00 p.m.
Space Place Theater, 101 North Hall

Dancers in Company, the University of Iowa’s touring ensemble, presents an evening of contemporary dance for their home concert. Now in its 36th year, the company’s repertory will reflect current trends in concert dance from leading companies in the field such as Urban Bush Women. Curated by company directors George de la Peña and Alexandra Bush, this evening of dance engages with current social and cultural themes as well as exploring the joys of combining music and dance. UI Dance students will perform as well as conduct workshops and public discussions to facilitate community conversations throughout Iowa and neighboring states. We urge you to catch the only UI home performances from this company of talented and exciting dancers.

Works featured in this year’s concert include:

And Let’s Go
Choreography by Alex Bush, in collaboration with the company
And Let’s Go is a meditation on preparation and an ode to movement as an art and a state of being. It celebrates movement as cultural expression through community, and embraces athleticism, rigor, and play as integral components of a rich movement experience. The choreographer was inspired by her toddler son’s joyful exploration of movement, and her own curiosity around nurturing one’s love of moving while also cultivating a career out of those same principles. And Let’s Go features music by the Hawkeye Marching Band Drumline.

LOOKS LIKE HAPPY
Choreography by Melinda Myers, in collaboration with the ensemble

The Pathology of Love
Choreography by Charlotte Adams, in collaboration with Tony Orrico and Nicole Wong
The Pathology of Love premiered in New York in Joyce Soho’s 2003 season by Charlotte Adams & Dancers. Described by The New York Times as, “arresting,” this piece was performed by Tony Orrico and Nicole Wong who collaborated with Charlotte Adams in creating the intricate and physically challenging partnering that continues to deliver and emotional whop to audiences.

Damper Lifted Oblivion
Choreography by Tony Orrico, in collaboration with the dancers

I Shall Wear My Trousers Rolled
Choreography by Charlotte Adams
I Shall Wear My Trousers Rolled, inspired by T.S. Eliot’s The Love Song of J. Alfred Prufrock, suggests the romance of the past through overlapping images and memories. The piece features seven dancers, costume design by Margaret Wenk-Kuchlbauer, and a collage of earth 20th century music: Louis Armstrong, Irving Berlin, Claude Debussy, Charles, Ives, and Bessie Smith.

Women’s Resistance excerpt from Les écailles de la mémoire (The Scales of Memory) (2008)
Choreography by Jawole Willa Jo Zollar and Germaine Acogny, in collaboration with the original cast
Women’s Resistance was originally created for Urban Bush Women. This performance of Women’s Resistance by the University of Iowa Department of Dance is staged by Urban Bush Women.
Urban Bush Women BOLD Facilitators and Re-stagers: Keisha Turner and Maria Bauman-Morales

Tickets:
$14 Adults
$8 Seniors (65+)
$8 Students & Youth
$5 UI Students (with valid ID)
Tickets are available through the Hancher Box Office at 319.335.1160 or 1.800.HANCHER or online at hancher.uiowa.edu/tickets.

Individuals with disabilities are encouraged to attend all University of Iowa-sponsored events. If you are a person with a disability who requires a reasonable accommodation in order to participate in this program, please contact the Hancher Box Office in advance at 319.335.1158.

Feb
27
Thu
Theatre Production: The Spitfire Grill @ Armstrong Hall: Kimmel Theatre
Feb 27 @ 7:30 pm

By Fred Alley, James Valcq, and Lee David Zlotoff; directed by Caroline Price. A feisty parolee follows her dreams, based on a page from an old travel book, to a small town in Wisconsin and finds a place for herself working at Hannah’s Spitfire Grill. It is for sale but there are no takers for the only eatery in the depressed town, so newcomer Percy suggests to Hannah that she raffle it off. Entry fees are one hundred dollars and the best essay on why you want the grill wins. Soon, mail is arriving by the wheelbarrow full and things are definitely cookin’ at the Spitfire Grill.

A soul satisfying … work of theatrical resourcefulness. A compelling story that flows with grace and carries the rush of anticipation. The story moves, the characters have many dimensions and their transformations are plausible and moving. The musical is freeing. It is penetrated by honesty and it glows. – The New York Times

UI Dance presents Dancers in Company 2020 Home Concert @ Space Place Theater
Feb 27 @ 8:00 pm

Presented by the University of Iowa Department of Dance

Dancers in Company 2020 Home Concert

February 26, 27, 28, 29 at 8:00 p.m.
Space Place Theater, 101 North Hall

Dancers in Company, the University of Iowa’s touring ensemble, presents an evening of contemporary dance for their home concert. Now in its 36th year, the company’s repertory will reflect current trends in concert dance from leading companies in the field such as Urban Bush Women. Curated by company directors George de la Peña and Alexandra Bush, this evening of dance engages with current social and cultural themes as well as exploring the joys of combining music and dance. UI Dance students will perform as well as conduct workshops and public discussions to facilitate community conversations throughout Iowa and neighboring states. We urge you to catch the only UI home performances from this company of talented and exciting dancers.

Works featured in this year’s concert include:

And Let’s Go
Choreography by Alex Bush, in collaboration with the company
And Let’s Go is a meditation on preparation and an ode to movement as an art and a state of being. It celebrates movement as cultural expression through community, and embraces athleticism, rigor, and play as integral components of a rich movement experience. The choreographer was inspired by her toddler son’s joyful exploration of movement, and her own curiosity around nurturing one’s love of moving while also cultivating a career out of those same principles. And Let’s Go features music by the Hawkeye Marching Band Drumline.

LOOKS LIKE HAPPY
Choreography by Melinda Myers, in collaboration with the ensemble

The Pathology of Love
Choreography by Charlotte Adams, in collaboration with Tony Orrico and Nicole Wong
The Pathology of Love premiered in New York in Joyce Soho’s 2003 season by Charlotte Adams & Dancers. Described by The New York Times as, “arresting,” this piece was performed by Tony Orrico and Nicole Wong who collaborated with Charlotte Adams in creating the intricate and physically challenging partnering that continues to deliver and emotional whop to audiences.

Damper Lifted Oblivion
Choreography by Tony Orrico, in collaboration with the dancers

I Shall Wear My Trousers Rolled
Choreography by Charlotte Adams
I Shall Wear My Trousers Rolled, inspired by T.S. Eliot’s The Love Song of J. Alfred Prufrock, suggests the romance of the past through overlapping images and memories. The piece features seven dancers, costume design by Margaret Wenk-Kuchlbauer, and a collage of earth 20th century music: Louis Armstrong, Irving Berlin, Claude Debussy, Charles, Ives, and Bessie Smith.

Women’s Resistance excerpt from Les écailles de la mémoire (The Scales of Memory) (2008)
Choreography by Jawole Willa Jo Zollar and Germaine Acogny, in collaboration with the original cast
Women’s Resistance was originally created for Urban Bush Women. This performance of Women’s Resistance by the University of Iowa Department of Dance is staged by Urban Bush Women.
Urban Bush Women BOLD Facilitators and Re-stagers: Keisha Turner and Maria Bauman-Morales

Tickets:
$14 Adults
$8 Seniors (65+)
$8 Students & Youth
$5 UI Students (with valid ID)
Tickets are available through the Hancher Box Office at 319.335.1160 or 1.800.HANCHER or online at hancher.uiowa.edu/tickets.

Individuals with disabilities are encouraged to attend all University of Iowa-sponsored events. If you are a person with a disability who requires a reasonable accommodation in order to participate in this program, please contact the Hancher Box Office in advance at 319.335.1158.

Feb
28
Fri
“Stages” Written and performed by David Lee Nelson @ Riverside Theatre
Feb 28 @ 7:30 pm

[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Stages

Written and performed by David Lee Nelson

Co-created and directed by Adam Knight

In 2017, award-winning solo performer David Lee Nelson received news that would change his life. At 38 years old he was diagnosed with Stage Four Colon Cancer. He kept a blog of his time in chemotherapy – a heartbreakingly funny chronicle of a disease which affects over nine million Americans. This material became the basis for his newest solo play, created with and directed by Riverside Theatre’s Producing Artistic Director Adam Knight. Stages is not simply a play about sickness: it’s a story of life’s setbacks and surprises, and about searching for hope in the most unlikely of places.

Dates & Times:

FRIDAY, FEBRUARY 28, AT 7:30PM

SATURDAY, FEBRUARY 29, AT 7:30PM

SUNDAY, MARCH 1, AT 2PM

 

THURSDAY, MARCH 5, AT 7:30PM

FRIDAY, MARCH 6, AT 7:30PM

SATURDAY, MARCH 7, AT 7:30PM

SUNDAY, MARCH 8, AT 2PM

THURSDAY, MARCH 12, AT 7:30PM

FRIDAY, MARCH 13, AT 7:30PM

SATURDAY, MARCH 14, AT 7:30PM

SUNDAY, MARCH 15, AT 2PM

$10 STUDENT TICKETS UNDERWRITTEN BY

HB_Primary_CMYK.jpg

[/vc_column_text][/vc_column][/vc_row]

Theatre Production: The Spitfire Grill @ Armstrong Hall: Kimmel Theatre
Feb 28 @ 7:30 pm

By Fred Alley, James Valcq, and Lee David Zlotoff; directed by Caroline Price. A feisty parolee follows her dreams, based on a page from an old travel book, to a small town in Wisconsin and finds a place for herself working at Hannah’s Spitfire Grill. It is for sale but there are no takers for the only eatery in the depressed town, so newcomer Percy suggests to Hannah that she raffle it off. Entry fees are one hundred dollars and the best essay on why you want the grill wins. Soon, mail is arriving by the wheelbarrow full and things are definitely cookin’ at the Spitfire Grill.

A soul satisfying … work of theatrical resourcefulness. A compelling story that flows with grace and carries the rush of anticipation. The story moves, the characters have many dimensions and their transformations are plausible and moving. The musical is freeing. It is penetrated by honesty and it glows. – The New York Times

UI Dance presents Dancers in Company 2020 Home Concert @ Space Place Theater
Feb 28 @ 8:00 pm

Presented by the University of Iowa Department of Dance

Dancers in Company 2020 Home Concert

February 26, 27, 28, 29 at 8:00 p.m.
Space Place Theater, 101 North Hall

Dancers in Company, the University of Iowa’s touring ensemble, presents an evening of contemporary dance for their home concert. Now in its 36th year, the company’s repertory will reflect current trends in concert dance from leading companies in the field such as Urban Bush Women. Curated by company directors George de la Peña and Alexandra Bush, this evening of dance engages with current social and cultural themes as well as exploring the joys of combining music and dance. UI Dance students will perform as well as conduct workshops and public discussions to facilitate community conversations throughout Iowa and neighboring states. We urge you to catch the only UI home performances from this company of talented and exciting dancers.

Works featured in this year’s concert include:

And Let’s Go
Choreography by Alex Bush, in collaboration with the company
And Let’s Go is a meditation on preparation and an ode to movement as an art and a state of being. It celebrates movement as cultural expression through community, and embraces athleticism, rigor, and play as integral components of a rich movement experience. The choreographer was inspired by her toddler son’s joyful exploration of movement, and her own curiosity around nurturing one’s love of moving while also cultivating a career out of those same principles. And Let’s Go features music by the Hawkeye Marching Band Drumline.

LOOKS LIKE HAPPY
Choreography by Melinda Myers, in collaboration with the ensemble

The Pathology of Love
Choreography by Charlotte Adams, in collaboration with Tony Orrico and Nicole Wong
The Pathology of Love premiered in New York in Joyce Soho’s 2003 season by Charlotte Adams & Dancers. Described by The New York Times as, “arresting,” this piece was performed by Tony Orrico and Nicole Wong who collaborated with Charlotte Adams in creating the intricate and physically challenging partnering that continues to deliver and emotional whop to audiences.

Damper Lifted Oblivion
Choreography by Tony Orrico, in collaboration with the dancers

I Shall Wear My Trousers Rolled
Choreography by Charlotte Adams
I Shall Wear My Trousers Rolled, inspired by T.S. Eliot’s The Love Song of J. Alfred Prufrock, suggests the romance of the past through overlapping images and memories. The piece features seven dancers, costume design by Margaret Wenk-Kuchlbauer, and a collage of earth 20th century music: Louis Armstrong, Irving Berlin, Claude Debussy, Charles, Ives, and Bessie Smith.

Women’s Resistance excerpt from Les écailles de la mémoire (The Scales of Memory) (2008)
Choreography by Jawole Willa Jo Zollar and Germaine Acogny, in collaboration with the original cast
Women’s Resistance was originally created for Urban Bush Women. This performance of Women’s Resistance by the University of Iowa Department of Dance is staged by Urban Bush Women.
Urban Bush Women BOLD Facilitators and Re-stagers: Keisha Turner and Maria Bauman-Morales

Tickets:
$14 Adults
$8 Seniors (65+)
$8 Students & Youth
$5 UI Students (with valid ID)
Tickets are available through the Hancher Box Office at 319.335.1160 or 1.800.HANCHER or online at hancher.uiowa.edu/tickets.

Individuals with disabilities are encouraged to attend all University of Iowa-sponsored events. If you are a person with a disability who requires a reasonable accommodation in order to participate in this program, please contact the Hancher Box Office in advance at 319.335.1158.

Feb
29
Sat
“Stages” Written and performed by David Lee Nelson @ Riverside Theatre
Feb 29 @ 7:30 pm

[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Stages

Written and performed by David Lee Nelson

Co-created and directed by Adam Knight

In 2017, award-winning solo performer David Lee Nelson received news that would change his life. At 38 years old he was diagnosed with Stage Four Colon Cancer. He kept a blog of his time in chemotherapy – a heartbreakingly funny chronicle of a disease which affects over nine million Americans. This material became the basis for his newest solo play, created with and directed by Riverside Theatre’s Producing Artistic Director Adam Knight. Stages is not simply a play about sickness: it’s a story of life’s setbacks and surprises, and about searching for hope in the most unlikely of places.

Dates & Times:

FRIDAY, FEBRUARY 28, AT 7:30PM

SATURDAY, FEBRUARY 29, AT 7:30PM

SUNDAY, MARCH 1, AT 2PM

 

THURSDAY, MARCH 5, AT 7:30PM

FRIDAY, MARCH 6, AT 7:30PM

SATURDAY, MARCH 7, AT 7:30PM

SUNDAY, MARCH 8, AT 2PM

THURSDAY, MARCH 12, AT 7:30PM

FRIDAY, MARCH 13, AT 7:30PM

SATURDAY, MARCH 14, AT 7:30PM

SUNDAY, MARCH 15, AT 2PM

$10 STUDENT TICKETS UNDERWRITTEN BY

HB_Primary_CMYK.jpg

[/vc_column_text][/vc_column][/vc_row]

Theatre Production: The Spitfire Grill @ Armstrong Hall: Kimmel Theatre
Feb 29 @ 7:30 pm

By Fred Alley, James Valcq, and Lee David Zlotoff; directed by Caroline Price. A feisty parolee follows her dreams, based on a page from an old travel book, to a small town in Wisconsin and finds a place for herself working at Hannah’s Spitfire Grill. It is for sale but there are no takers for the only eatery in the depressed town, so newcomer Percy suggests to Hannah that she raffle it off. Entry fees are one hundred dollars and the best essay on why you want the grill wins. Soon, mail is arriving by the wheelbarrow full and things are definitely cookin’ at the Spitfire Grill.

A soul satisfying … work of theatrical resourcefulness. A compelling story that flows with grace and carries the rush of anticipation. The story moves, the characters have many dimensions and their transformations are plausible and moving. The musical is freeing. It is penetrated by honesty and it glows. – The New York Times

UI Dance presents Dancers in Company 2020 Home Concert @ Space Place Theater
Feb 29 @ 8:00 pm

Presented by the University of Iowa Department of Dance

Dancers in Company 2020 Home Concert

February 26, 27, 28, 29 at 8:00 p.m.
Space Place Theater, 101 North Hall

Dancers in Company, the University of Iowa’s touring ensemble, presents an evening of contemporary dance for their home concert. Now in its 36th year, the company’s repertory will reflect current trends in concert dance from leading companies in the field such as Urban Bush Women. Curated by company directors George de la Peña and Alexandra Bush, this evening of dance engages with current social and cultural themes as well as exploring the joys of combining music and dance. UI Dance students will perform as well as conduct workshops and public discussions to facilitate community conversations throughout Iowa and neighboring states. We urge you to catch the only UI home performances from this company of talented and exciting dancers.

Works featured in this year’s concert include:

And Let’s Go
Choreography by Alex Bush, in collaboration with the company
And Let’s Go is a meditation on preparation and an ode to movement as an art and a state of being. It celebrates movement as cultural expression through community, and embraces athleticism, rigor, and play as integral components of a rich movement experience. The choreographer was inspired by her toddler son’s joyful exploration of movement, and her own curiosity around nurturing one’s love of moving while also cultivating a career out of those same principles. And Let’s Go features music by the Hawkeye Marching Band Drumline.

LOOKS LIKE HAPPY
Choreography by Melinda Myers, in collaboration with the ensemble

The Pathology of Love
Choreography by Charlotte Adams, in collaboration with Tony Orrico and Nicole Wong
The Pathology of Love premiered in New York in Joyce Soho’s 2003 season by Charlotte Adams & Dancers. Described by The New York Times as, “arresting,” this piece was performed by Tony Orrico and Nicole Wong who collaborated with Charlotte Adams in creating the intricate and physically challenging partnering that continues to deliver and emotional whop to audiences.

Damper Lifted Oblivion
Choreography by Tony Orrico, in collaboration with the dancers

I Shall Wear My Trousers Rolled
Choreography by Charlotte Adams
I Shall Wear My Trousers Rolled, inspired by T.S. Eliot’s The Love Song of J. Alfred Prufrock, suggests the romance of the past through overlapping images and memories. The piece features seven dancers, costume design by Margaret Wenk-Kuchlbauer, and a collage of earth 20th century music: Louis Armstrong, Irving Berlin, Claude Debussy, Charles, Ives, and Bessie Smith.

Women’s Resistance excerpt from Les écailles de la mémoire (The Scales of Memory) (2008)
Choreography by Jawole Willa Jo Zollar and Germaine Acogny, in collaboration with the original cast
Women’s Resistance was originally created for Urban Bush Women. This performance of Women’s Resistance by the University of Iowa Department of Dance is staged by Urban Bush Women.
Urban Bush Women BOLD Facilitators and Re-stagers: Keisha Turner and Maria Bauman-Morales

Tickets:
$14 Adults
$8 Seniors (65+)
$8 Students & Youth
$5 UI Students (with valid ID)
Tickets are available through the Hancher Box Office at 319.335.1160 or 1.800.HANCHER or online at hancher.uiowa.edu/tickets.

Individuals with disabilities are encouraged to attend all University of Iowa-sponsored events. If you are a person with a disability who requires a reasonable accommodation in order to participate in this program, please contact the Hancher Box Office in advance at 319.335.1158.

Mar
1
Sun
Theatre Production: The Spitfire Grill @ Armstrong Hall: Kimmel Theatre
Mar 1 @ 1:00 pm

By Fred Alley, James Valcq, and Lee David Zlotoff; directed by Caroline Price. A feisty parolee follows her dreams, based on a page from an old travel book, to a small town in Wisconsin and finds a place for herself working at Hannah’s Spitfire Grill. It is for sale but there are no takers for the only eatery in the depressed town, so newcomer Percy suggests to Hannah that she raffle it off. Entry fees are one hundred dollars and the best essay on why you want the grill wins. Soon, mail is arriving by the wheelbarrow full and things are definitely cookin’ at the Spitfire Grill.

A soul satisfying … work of theatrical resourcefulness. A compelling story that flows with grace and carries the rush of anticipation. The story moves, the characters have many dimensions and their transformations are plausible and moving. The musical is freeing. It is penetrated by honesty and it glows. – New York Times